I wrote that I wanted to make my journal into
poetry, but then I lose my voice. Or don’t I? Or am I writing poetry by using
my voice? Is my voice, and what I write, poetry? I think I hear a rhythm as I
write, but do I? Or am I just imagining that at the moment?
Cuyahoga River
Cuyahoga River in the Valley
Sunday, October 21, 2012
Friday, October 19, 2012
Harnessing the Wind
The
Boy Who Harnessed the Wind is an inspiring story of William Kamkwamba,
a boy with no education, reading lots of books in his village library in Malawi
and learning how to make windmills. He used discarded motor parts, junkyard
refuse, whatever he could hoard in his room that he thought might be helpful,
while in search of a dream to bring light to a village that went to sleep at
7PM when the sun went down. They lost hours.
The famine in his land and his family’s struggles, all of Africa’s struggles, were captured in the book, and it opened my eyes to how a country can literally be without food and how it can be controlled by only a few people and how powerless people can feel when the land fails to yield a crop. Entire lives are ruined, time cannot be captured again, a young boy loses years. In this case, he missed 4-5 years and then went to school when he was a young adult. He was one of the lucky ones—he survived while thousands of people, who foraged for what little food they could while the light went out of their eyes, died. He not only survived, but he eventually was admitted to a boarding school so he could study, his sense of possibility still strong, and that’s part of what makes the story so good
The famine in his land and his family’s struggles, all of Africa’s struggles, were captured in the book, and it opened my eyes to how a country can literally be without food and how it can be controlled by only a few people and how powerless people can feel when the land fails to yield a crop. Entire lives are ruined, time cannot be captured again, a young boy loses years. In this case, he missed 4-5 years and then went to school when he was a young adult. He was one of the lucky ones—he survived while thousands of people, who foraged for what little food they could while the light went out of their eyes, died. He not only survived, but he eventually was admitted to a boarding school so he could study, his sense of possibility still strong, and that’s part of what makes the story so good
Wednesday, October 17, 2012
Farms and Foods of Ohio
Marilou Suszko has written about
food for years, and in her book Farms
& Foods of Ohio, we have a culmination of her love of where she lives
and the food it brings to the table. It’s a thoughtful and instructional look
at what it’s like to be a farmer in the twenty-first century and a call to all
of us to support our local farms. I appreciate her passionate descriptions and
her cause. Her recipes are unique—I have never seen a recipe for raspberry
cream custard. I didn’t realize she teaches culinary classes and has a
connection with the cooking school in Vermilion; that would explain her sidebar
for turkey brined in buttermilk: “To brine or not to brine? It comes down to a
question of personal taste. Traditional brining is a process that enhances the
flavor and increases the moisture content of lean meats without using a salt,
sugar, and water solution.” Hmmm, I’ve never thought about brining.
Monday, October 15, 2012
The Highest Tide - A Tribute to Marine Life
I just finished The Highest Tide, a novel by Jim Lynch,
and I loved it. At the beginning I was thinking about how slow it was going
with all the marine-life description, but that was part of the charm of this
coming-of-age book about the summer of a 13-year-old boy who discovers a giant
squid, a rare starfish, and many other strange things in Puget Sound near his
home on Olympia’s coast. We come to love this curious and
intelligent boy; Lynch successfully takes us into his head and allows us to
feel what it’s like to love nature and be conflicted about growing up. “People
usually take decades to sort out their view of the universe, if they bother to
sort at all. I did my sorting during one freakish summer in which I was ambushed
by science, fame and suggestions of the divine.”
We get a ton of philosophical views here, including many from Rachel Carson who wrote in The Sea Around Us, “’There is no drop of water in the ocean, not even in the deepest parts of the abyss, that does not know and respond to the mysterious forces that create the tide.’ How do you read that sentence, yawn and turn out the lights?” And how do you read his descriptions of life in the sea without being intrigued?" The narrator writes: “Those shells, as unique and timeless as bones, helped me realize that we all die young, that in the life of the earth, we are houseflies, here for one flash of light.” As he grows and synchronicity and the responsive universe happens to him, he writes “It wasn’t that I was starting to feel that I actually had some higher calling, it’s that I’d begun to feel as though I’d received a bigger role than I’d auditioned for.” Miles said people need to pay attention, and then they did. They came out to the Bay and started categorizing all the sea life and found it amazing, all those scientists and people who lived there who thought they knew what was going on but didn’t. “At the end of The Sea Around Us, she [Carson] summed up the entire history and role of the ocean in two sentences: ‘In its mysterious past it encompasses all the dim origins of life and receives in the end, after, it may be, many transmutations, the dead husks of that same life. For all at last return to the sea—to Oceanus, the ocean river, like the ever-flowing stream of time, the beginning and the end.’”
We get a ton of philosophical views here, including many from Rachel Carson who wrote in The Sea Around Us, “’There is no drop of water in the ocean, not even in the deepest parts of the abyss, that does not know and respond to the mysterious forces that create the tide.’ How do you read that sentence, yawn and turn out the lights?” And how do you read his descriptions of life in the sea without being intrigued?" The narrator writes: “Those shells, as unique and timeless as bones, helped me realize that we all die young, that in the life of the earth, we are houseflies, here for one flash of light.” As he grows and synchronicity and the responsive universe happens to him, he writes “It wasn’t that I was starting to feel that I actually had some higher calling, it’s that I’d begun to feel as though I’d received a bigger role than I’d auditioned for.” Miles said people need to pay attention, and then they did. They came out to the Bay and started categorizing all the sea life and found it amazing, all those scientists and people who lived there who thought they knew what was going on but didn’t. “At the end of The Sea Around Us, she [Carson] summed up the entire history and role of the ocean in two sentences: ‘In its mysterious past it encompasses all the dim origins of life and receives in the end, after, it may be, many transmutations, the dead husks of that same life. For all at last return to the sea—to Oceanus, the ocean river, like the ever-flowing stream of time, the beginning and the end.’”
Saturday, October 13, 2012
Sharing Our Gifts
So now I’m home again. The weekend swept me into a world of friendship and support and big goals and lots of energy. The Sharing Our Gifts weekends are amazing. They are my sisters, my mothers, my daughters. They are my people I can talk with any time without reserve, without fear, without knowing judgment. They let me do what I want to do and say what I want to say. They tell me everything is going to be okay, something I need to hear and know more than anything. Everything is going to be okay. Why do I need someone to tell me that?
Thursday, October 11, 2012
Envisioning a Dream
Most people I know are aware that my life's dream is to spend my days writing while running a bed and breakfast that hosts retreats and people who come in and out the door with stories to tell. Every time I visit the Idlewyld, I feel that dream strong within me, and I see what Joan and Dan have created over the last 24 years, and I am awed. A friend told me that I need to envision that dream, keep it in my heart constantly, and somehow, someway, the universe will respond. She says the B&B is tied up with my writing, and while I spoke with my friend, I touched on that dream again, the one I've had for almost twenty years, and I wonder if God will provide a way, maybe a different place, a different house, maybe something altogether different from what I envision. So is it a good thing to envision when that vision will inevitably be replaced with something else?
Tuesday, October 9, 2012
Walking the Path to God Connection
Oftentimes we don’t know why we
choose a particular path—certainly it’s that way for me. I sometimes have to go
with my gut, and that’s what I did when I chose to be part of Disciple study again.
I’m reading about the kings of Judah and their evil and good and God’s turning
against them and to them again, and the message is that we should avoid outside
influences and focus on the Temple, on our temple, our traditions, our
heritage, and walk with the Lord. I go this way and that in my way of thinking,
from believing that being with nature and doing yoga and writing from the heart
are a way that is just as good as being in church and fellowship with
Christians. Is it a selfish seeking to look for other ways to find that God connection? Perhaps, when you look at it from the viewpoint
of the chronicler in Chronicles. I am a child of the church, of the United
Methodist Church—should I not make that my focus? The Artist’s Way and synchronicity
and my God connection have been my way to creativity and salvation, have helped
me on my journey. Is it time to turn back? No, it's time to embrace it because it's all part of my journey, part of what I personally need to grow.
Friday, September 28, 2012
Letting Go of Fear
Fear is the door getting ready to open for us if we can let go of fear, it will open to something new. Celtic tradition says that fear is the dragon guarding treasure and that we limit our stories by limited beliefs. When we get close to the truth, our course may be altered. On Wednesday nights, I have the choice of a writing group, an Artist's Way group, or a Christian Spirituality group. Which one do I choose? Am I choosing a path that’s outdated and based on a hidden set of needs? This too takes meditative time, God connection, and making sure that Fear is not in control.
Thursday, September 27, 2012
Choices About the Journey
I’ve been carrying around some notes from an audio talk by Betsy Muller, who runs workshops and retreats on enery and creativity and will be at Word Lovers in November. The notes begin with “I'm feeling like I’ve been missing the boat again with what I'm focusing on." I then read some encouraging words, "I believe I can find a way. I am willing to let go of who people think I am. I can make a clear path. Energy causes connections and shows how things fit together. Energy grounds us—it is a refining process. Our connection with each other is sacred." My mission is to help others to love themselves more deeply, help them shift into thinking about what they can have from what they can’t. We make choices with careers and family and how we spend our free time. But all the choices we make should help us toward our life's mission. I find that sometimes I just need to close my eyes and wait for the answers to come.
Wednesday, September 26, 2012
Taking Your Reader on a Journey
Writer's Center Stage starts up again this month. I'm looking forward to Geraldine Brooks and Tony Horwitz in November as I think back to what Anne Lamott had to say when she was here last spring.
Her son says that when she speaks, she starts at A, could go to B, C, D and ends up at R while she's trying to convince the audience
she was going there all along. That's sort of how she writes. When someone asked how she writes illuminating stuff without affecting the privacy of the people she cares about, she said "you own it.
Just change the details." You can't be afraid to write what needs to be said. On plot, she advised, “A confused reader is an antagonistic reader,” which is what her writing coach Mary
Moran has always told her. When you write, lay lily pads across pond and invite reader to walk with you. How do you get
found when you’re so lost? Take them with you on that journey.
Tuesday, September 25, 2012
Seeking Wisdom
I just finished reading Somerset Maugham's The Razor's Edge. In the novel, Larry is seeking knowledge, truth, something bigger than himself, and he discovers the Absolute, which is eternal because of its completeness and
perfection unrelated to time. It is truth and freedom. God is within or nowhere. He finds a Guru who “taught that
we are all greater than we know and that wisdom is the means to freedom. He
taught that it is not essential to salvation to retire from the world, but only
to renounce the self. He taught that work done with no selfish interest purifies
the mind and that duties are opportunities afforded to man to sink his separate
self and become one with the universal self.” Although the writer decries worship of God, we hear similar messages in traditional Christianity--we must be selfish and we must serve, and we're part of the One. Larry discovers selflessness, and he finds happiness.
Monday, September 24, 2012
Journaling to Plan My Day
At last Sunday's WOW (Women of Wisdom) meeting, I told everyone how I journaled in the morning about how my day would look--I would work on my novella and memoir, go to yoga, walk in the park with my husband and the dog, pick up Mom and go to WOW, and organize my studio. By the time I'd gotten to WOW, I'd gone through the list and felt good about having a relaxing and productive day. One of the women in the group said that was a bunch of crock--life gets in the way. It does, but it's nice to have some direction, and some days it works out just the way we envision it, sort of a little miracle.
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